Growing up, I listened to a lot of what most people would probably call oldies - music from before 1980. Back in the era of physical discs, my parents had tons of records, cassettes and CDs. On any given day, there might be Bob Dylan playing at my parents' house, or The White Album or The Pretenders or maybe even my late Aunt, who had a beautiful voice and used to send us cassettes she recorded of herself, singing hymns. Apart from simply listening to music, I tried my hand at making it as well, training in the Suzuki violin school starting at three, playing Irish fiddle, and singing. Always singing.
Amidst all of this musical wonder, it was my mom who introduced me to Rod Stewart. She would put on "The First Cut is the Deepest" in the car and we would rock it out together. Knowing musical history is being cultured, mom would say. There's probably a lot of people out there who don't think that Rod Stewart is culture, but I'm sorry, I'd have to disagree.
I first fell in love with music because of the sound, the melodies. Later, I fell in love with the stories that music has to tell, and the stories of the musicians who I came to love so deeply. Their stories inspired me. As it turns out, that song my mom and I loved to jam to, "The First Cut is the Deepest", has a pretty great story behind it.
In the mid sixties, a young man who dreamed about making music wrote a song that would become an international hit for many artists. Being shy himself however, he sold the initial rights to the song to a singer named P.P. Arnold (you can check out her version of the song here). That man's name is Cat Stevens. You probably already guessed what that song is.
Here is Cat Steven's recording of "The First Cut is the Deepest."
And here he is in all of his youthful glory.
Eventually Cat (thankfully!) realized he wasn't just a songwriter, he was a performer. He included the song on his album New Masters in 1967. It was a hit.
Many other artists went on to cover "First Cut." After P.P. Arnold, Norma Fraser and Keith Hampshire, Rod Stewart recorded the song in 1976 on his album A Night on the Town. It became a huge hit for him as well.
However, most people nowadays probably aren't familiar with the version of "First Cut" by either Cat Stevens or Rod Stewart. Today, most people are probably familiar with the Sheryl Crow version, Sheryl Crow of the cowboy boots and swingy blonde hair. Oh, and that amazing voice. Here she is singing her version.
I used to think that the Rod Stewart version was superior, because that's what I grew up with. Now, I'm not so sure. I've been pondering how many things an artist brings to a song they cover - not just their voice or way of playing music, but also their personality, their background, even (as you see in these music videos) their fashion sense. I think that's true of anything that's covered, whether it's writing or music or visual art.
Although I do have some strong opinions about music, and I'd like to think I'm a bit knowledgable about some areas of it, music is never something that people should be condescending about. Music is an art form of the people. And that's why I think the cover is a great thing.
In listening to all of these covers I think I'm beginning to understand what Harris meant when he wrote about "taking an approach." When I listen to "The First Cut is the Deepest" as recorded by Rod Stewart or Sheryl Crow, I see their unique stylings come through, but I also see Cat Stevens, a shy young man who just knew he had some musical magic in him. And I love that.
And in case you're maybe having a bad day, or you just have too many forum posts left to write for this Unit... Take a listen to this, and you might just decide you love Cat Stevens the way I do.
And by the way, let me know if you have a favorite cover of "First Cut" (or another song!). You might not convince me, but I always enjoy talking music.
Great post! For those of you who haven't done this yet, Fiona's post is a kind of re-mix of her response paper and works really well.
ReplyDeleteI mentioned this to Fiona in my comments on her response paper, but I think that Crow's version is the first digital music I ever downloaded from iTunes (not counting Napster, which I used quite a bit back when each song took like an hour to download). I am almost certain I got a free download code from a Diet Coke bottle cap or something like that.
Anyway, I really love the Crow version--maybe especially now because of the analysis Fiona does of it in her paper.
Hi Fiona! I really enjoyed your blog post about the different cover versions of "The First Cut is the Deepest." I think that my favorite version of "The First Cut is the Deepest" is P.P. Arnold’s rendition of it. I like it because she has a great voice and the production is very upbeat.
ReplyDeleteAre you familiar with the 1971 cult movie Harold and Maude? Cat Stevens did the soundtrack for it and since you’re a fan of Steven’s music, I think you might enjoy it. The soundtrack is on YouTube, and here is the link to it: https://www.youtube.com/playlist?list=PLnC0qvGbCv7wOdAPtRlZMQeNmMILT08pi
Fiona this was an awesome blog post to read. I did my response paper on a cover song/remix too. I love that none of our points overlapped. We both discussed cover songs, but there is so much to say about them -- you did a wonderful job talking about a whole different side of things! I would have to say the Sheryl Crow version is my favorite too, because I grew up with that one. I just think that studying music and these cover songs can reveal so much about these kinds of texts and what they mean to our society. Fascinating!
ReplyDeleteWhat a great take on Harris! “Taking an approach” with different covers of songs! Where do you come up with your ideas? Wow. Anyway, I enjoy it most when one song has one version. That way there’s no fear of missing out or FOMO. PP Arnold’s version is the best one! I’ve thought so since I first saw it used in “Seven Psychopaths” Directed by Martin McDonagh. McDonagh also directed “Three Billboards.” Needless to say he has great taste. Cat Stevens knows what he’s doing but I prefer the stuff he wrote himself like, “Wild World.”
ReplyDeleteHaha, I can take no credit for the covers idea! It was the remix of my prompt for my response paper (prompt by Harris). Perhaps we need to give Harris more credit? I was just thinking about music in connection to its portrayal in movies because of Olivia's post, so now I will have to watch "Seven Psychopaths." I'm sure it would color P.P. Arnold's version differently for me. I agree that sometimes one version (or the original version) of a song will always be the best for you, and no arguments will change that. P.P. Arnold's version is definitely very soulful, but Cat Stevens did in fact write "First Cut!"
DeleteYou're right, I had only ever heard the Sheryl Crow version. That Rod Stewart version is great, though. Cat Stevens has an entirely different vibe, but I think Stewart's is probably my favorite. I never would have thought there was more than one version of this song, though. When I saw this prompt, I thought it was really interesting, but didn't know enough music to be able to think of a good example for it. You picked a really good choice, and I think each version really shows a lot about each artist.
ReplyDeleteI only knew the Sheryl Crow version too! I like the other one's as well. I also did the "remix" option for my blog and it was challanging! I like how you included the artists background and persoanlitiy with the way they deliver the cover of a song. I had not considered those aspects until you mentioned it. Very creative. Awesome job!
ReplyDeleteI did my response paper on this topic too. There are things I have not thought about when it comes to cover music. Personally, I almost always prefer the original, but there are some renditions that give the song a whole new meaning that you have never thought of before. Interesting blog post!
ReplyDelete